![]() There are few conversations that could not be handled with title cards. Feel free to disregard the outright snobbishness of my tying everything to Nietzsche. 2001: A Space Odyssey is in many respects a silent film. The case could certainly be made that 2001 is above all a dramatization of "Zarathustra" updated for the modern age. Few people find the ending of 2001 to be gloomy, and it is in my opinion, explicitly and unmistakeably Nietzschean. But I just wanted to mention them, if for no other reason than to try to dispel the myth that Nietzsche was ultimately a gloomy philosopher. I know these parallels are pretty broad, and almost certainly have been noted elsewhere despite the fact that I have not personally seen it. Bowman's psychedelic sequence at the near-end could be seen as Kubrick's best 1960's-style attempt at depicting the mystical "going under". The inscrutability of how these transformations occurred, and the suggestion that an external force caused them, is also Nietzschean in "Zarathustra", he makes it pretty clear that he doesn't have a clue how people are going to be able to enact these changes themselves and suggests that we will have to depend on an outsider (Zarathustra) to show us how to "go under". ![]() With Keir Dullea, Gary Lockwood, William Sylvester, Daniel Richter. Much of the dialogue exists only to show people talking to one another, without much regard to content (this is true of the conference on the space station). And also, Zarathustra said that "man is a rope tied between beasts and the overman." The structure of the movie fits that description: a brief history of man as beast, until we become truly man by mastering weapons and acquiring reason, then a long sequence about man (the rope, as it were), and then a brief glimpse of the overman. 2001: A Space Odyssey: Directed by Stanley Kubrick. 2001: A Space Odyssey'' is in many respects a silent film. The fact that the song plays during the star child sequence can hardly be coincidence. Clarke and Kubrick worked on the book together, but eventually only Clarke ended up as the official author. It was developed concurrently with Stanley Kubrick's film version and published after the release of the film. describes the first incarnation of the overman as a child, transcending both the ascetic, altruistic side of man (the camel always asking to bear more weight) and the rapacious, brutish, will-to-power side of man (the lion). 2001: A Space Odyssey is a 1968 science fiction novel by British writer Arthur C. The idea of man's rebirth into a star child an infant form of an indescribably more advanced being, is an explicit part of N.'s "Zarathustra" there is a prominent passage called "On how a camel becomes a lion, and a lion becomes a child", in which N. I'm always surprised, given that the famous title track of 2001 is called "Also sprach Zarathustra", that nobody (nobody I've read, anyway) has noted the parallels between the movie and Nietzsche's famous work, "Also sprach Zarathustra".
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